However, this isn't a big deal, since most native audio applications, such as Logic Pro 8 and Cubase/Nuendo 4.1, are now able to support this style of routing (where audio buses can be used as the inputs to audio tracks) without hardware assistance. Although the Ensemble works with any Core Audio-compatible software on Mac OS X, Logic Pro users are especially lucky as Logic incorporates an Apogee Control Panel (accessible from the Options / Audio menu) that allows you to adjust the Ensemble's settings within the application. IMO, well worth it. On the Ensemble Thunderbolt and Symphony I/O MkII it is much more important to have Thunderbolt 2, because those units are passing far more channels, up to 64 channels with two Symphony I/O MkII units in multi-unit mode. The competition in the Firewire audio interface market is fierce these days, no matter what your budget, and the most obvious competition for the Ensemble is perhaps RME's Fireface 800, Metric Halo's Mobile I/O and Prism's Orpheus. Up to 32 buses can be created per Symphony card, and these allow the transport of audio between Core Audio applications, or even within applications. The Ensemble is designed to work exclusively with Mac computers, and, as such, has a brushed-metal appearance that sits quite happily alongside a Mac Pro, Cinema Display, iMac, or MacBook Pro. You can then plug the Ensemble into your Mac via one of the two Firewire ports found on the back panel. However, if you exclusively use Macs, this obviously won't be an issue. Ensemble Thunderbolt™ is the best sounding all-in-one audio recording interface for Mac. Interface question: UA Apollo Twin X Quad VS Apogee Symphony Desktop I recently asked elsewhere about different pieces of gear I’m looking at for my home studio setup, and briefly settled on the Symphony Desktop ( although I also briefly settled on the Duet, but fell in love with the idea of being able to use onboard DSP with plugins for live streaming smaller solo gigs). Despite this, the Apogee Symphony Desktop boasts a slightly larger dynamic range (129dB) and mic preamp gain (75dB). Built-in monitoring capabilities that are surround capable. In threads that I read, Max from Apogee said that they also tested on a dual 2.0ghz G5 (which is what i have) and that the latency figures were similar -- a little higher, I think i remember something in the 2.8 range as opposed to 1.6. Apollo x8 vs Apogee Symphony?? Thanks for all the feed back!!! High-end digital converter manufacturers Apogee are Apple's audio partner of choice, and their latest Firewire interface is aimed squarely at Mac users with a taste for quality. There's DSP on the card that deals with passing audio, sorry, maybe we shouldn't use the term DSP, I don't know. There's also a corresponding set of red LEDs to show whether phantom power is enabled on each of the four mic pres, although the power itself needs to be turned on or off remotely from the host computer. Do Apogee’s Thunderbolt products (Element 24, Element 46, Element 88, Ensemble Thunderbolt, Symphony I/O MkII Thunderbolt, and Symphony 64 Thunderbridge) work with the 2015 and 2016 12″ MacBook? The output encoder sets the level for the main output, and a really nice touch is that the Ensemble's software (see the 'Maestro' box) lets you configure whether the Main output is stereo, 5.1, or 7.1. Sonic Differences: Apollo 8 TB VS Apogee Symphony MK2 I am trying to get a feel for the discernable audio differences from any folks who have used both. If you want a nice vocal, you gotta look at every part of your vocal chain, and you might sacrifice more than you think by getting an ensemble just because you save some money on buying seperate pre's and such. One thing to bear in mind, though, is that while Symphony and the Ensemble both make use of the Maestro software, certain Symphony features, such as the V-Bus routing, are not available on the Ensemble. Maestro is capable of controlling Apogee hardware I/O connected to the computer via FireWire, Symphony (Apogee’s PCI Express card) or both at the same time. This changed at the 2006 NAMM show, when Apogee announced Symphony, a PCI-based system for handling a large amount of I/O with low latency via the company's AD16X, DA16X and Rosetta-series converters, and Ensemble, Apogee's entry into the Firewire audio interface market. Dual G5 2 ghz. Session Notes: Recording Voiceovers At Sea, Distant City Studios - A Drum Room With A Difference, Mastering Essentials Part 6 - Final Delivery: Requirements & Specs, Re: The All-New Behringer Keyboards 'n' Stuff Thread, Re: Centred mono signal appears to the left, The All-New Behringer Keyboards 'n' Stuff Thread, Low Watt Guitar Amp for Recording at Home. While the difference was admittedly subtle compared to my trusty Fireface 800, the Ensemble seemed to have a little more depth, with fractionally more space at the top. If that's anywhere near true about the G5, then Apogee must not have been testing that G5 with a taxed system in the way of plug-ins and VIs, because no way was I able to get buffers at 128 or lower on my Symphony/Rosetta/Quad G5 system. Monster Studio Pro 1000 cable pretty much in and out of everything. Apogee’s Ensemble (Resolution V6.3). I do covet the Ensemble's preamps and integration with Logic, but I don't want to become an unwitting participant in what appears to be an extended beta test. I found that having a kernel panic when connecting the Ensemble was not a completely uncommon occurrence with my MacBook Pro running Mac OS 10.5.2, although I admittedly don't restart the computer that often and usually have quite a number of applications open. Symphony I/O Mk II Thunderbolt. We looked at Symphony in last September's SOS, and although it might seem a little late in the day to be looking at the Ensemble, Apogee have actually been consistently improving the product since its original release (which included beta drivers) last year. I think that reference above was made before the new high performance drivers were available. USB Mics - We Figured Out Which One You Should Buy? I thought sound quality they would be the same. The Ensemble's drivers have also been regularly updated, with the current release from last December (on which this review is based) being fully compatible with both Leopard (Mac OS 10.5) and Tiger (10.4). For digital connectivity the Ensemble has input and output TOSlink optical connectors for either ADAT or S/PDIF input and output, in addition to regular coaxial S/PDIF, and there are also word-clock BNC connectors, along with a push switch so that the Ensemble can optionally self-terminate an incoming word-clock signal. All rights reserved. The new drivers for symphony really bump it up nicely. I would like to hear from anyone that owns either of these interfaces and have used it not only to record but to also mix out of. Some people might find the selection behaviour more useful (if they use headphones), but I wish Apogee would provide a quick mute option for those who might prefer it. And one of the headphone jacks went, even though I don't use them and plug into a dedicated headphone amp system (they worked during installation). Ultimately, though, despite a few remaining driver issues, Apogee have done a great job with the Ensemble, incorporating high-quality audio components into a Firewire interface that's easy to use, integrates well with Mac OS X (and Logic Pro), and offers flexible routing via the Maestro software. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Apogee Software Download Links Current Products macOS/iOS Symphony Desktop | macOS Installers Duet | macOS/iOS Installers Quartet | macOS/iOS Installers ONE macOS/iOS Installers Symphony I/O Mk II | macOS Installers Ensemble | macOS Installers Element Series | macOS Installers Please note HypeMiC, MiC+, Jam+, ClipMic digital do not require software for operation. Still, totally inaudible. Logic Pro includes an Apogee Control Panel where you can access and store the Ensemble's settings directly from your Logic Project.Photo: Mike CameronThe supplied Maestro software serves two purposes: firstly, to provide hardware mixing and routing capabilities so that hardware inputs can be routed directly to hardware outputs; and secondly, to allow you to access and configure all of the Ensemble's internal settings. Unless you really really need the portability Firewire provides, gotta go with a pci(e) system. The only real problem I encountered when testing the Ensemble was when I decided to see if the record offset latency was handled correctly. To get started, simply install the Ensemble's software — although, as always, it's probably a good idea to make sure you download the latest version from Apogee's web site, rather than using any supplied versions. This works the same way as it does with Apogee’s other interfaces (One, Duet, Quartet, Ensemble and Symphony I/O), where an Audio Devices row is added to the mixer’s channel strips — this is also available via an Inspector’s channel strip. Ask Apogee - Symphony I/O vs. Quartet and Duet Apogee Electronics. So steht den zwei hochohmigen Eingängen je ein Ausgang zur Seite, der zum Durchschleifen der Gitarren- und Bass-Signale geeignet ist – gut zur parallelen Weiterleitung an Effektpe… While this is functionally no different to using Maestro in conjunction with any audio application, the neat thing is that the settings for the Apogee Control Panel in Logic are stored with your Project. You buy a card with that much DSP on it and with that high of a price tag, you're buying it to help support your computer's CPU, not rely on it. I was told that the Ensemble is heads and shoulders above the Duet. A status LED on the front of the Ensemble lights up in blue if the device is successfully connected to your computer, or green if it's working in stand-alone mode without a computer connection. If I get this thing in here and find out my G5 is holding it back, I'm going to be real pissed off. MOTU has done some informal testing on the Mac Pro and they are reporting incredibly low latency performance too. In diesem Test erfährst Du alles Bemerkenswerte in Sachen In- und Outputs des Apogee Ensemble Thunderbolt. The Maestro Control window allows you to configure all aspects of the Ensemble's hardware setup, and this is where you have full control over the built-in preamps. The second port is handy if you want to daisy chain other Firewire devices. Apogee says that the design of the power regulators borrows custom elements from the flagship Symphony system [Tape Op #87, #99] (more details on that are available on their site). The Symphony MkII’s preamp controls as they appear in Logic Pro X. Though no stranger to the audiophile community, Apogee is one of the first pro-audio manufacturers to incorporate it into an interface and, in addition to Symphony I/O, it is utilized in Duet 2, Duet for iPad & Mac, Ensemble and Quartet interfaces. Again, this might not be important to you, and Apogee's focus is clearly on providing best-in-class audio functionality; but it does seem a shame that for mobile use you may need to pack a MIDI interface alongside the Ensemble.
Ramesses Ii Wife Asiya, Le Moment Romantique, Port Of Houston Vessel Schedule, Cmf Curo Complaints, Ingenius Medical School, Sapa In English, Airing Of Grievances Gif, Gillespie Field Tower Phone Number,